Gothic Remake Podcast/Ep.4 — Romanian @ Weblate: Kai: (laughs) Sure.

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00:03:29.210-->00:03:42.220	Dani: I need to be capable of motivating and steering the amazing team of artists with different specialties we have here at Alkimia. So, I could go hours and hours because, you know, art is my passion, but I think you get the point.	Dani: Trebuie să fiu capabil să motivez și să conduc echipa uimitoare de artiști cu diferite specializări pe care o avem aici la Alkimia. Aș putea continua ore în șir pentru că, știți, arta este pasiunea mea, dar cred că ați înțeles ideea.
00:03:42.250-->00:03:45.020	Kai: Yes, absolutely. Thank you.	Kai: Da, absolut. Mulțumesc.
00:03:45.040-->00:03:53.100	Reinhard: So, this episode might be a bit challenging since we'll have to talk about visual aspects in a podcast. How do we go about this?	Reinhard: Deci, acest episod ar putea fi un pic provocator, deoarece va trebui să vorbim despre aspectele vizuale într-un podcast. Cum abordăm acest subiect?
00:03:53.120-->00:03:59.120	Dani: Well, some visual material is already out there. So we can talk about that and people can look at it while we do.	Dani: Ei bine, unele materiale vizuale există deja. Așa că putem vorbi despre asta, iar oamenii se pot uita la ele în timp ce noi vorbim.
00:03:59.180-->00:04:04.160	Kai: Yeah. Great idea. For example, the Old Mine was shown in the Old Mine teaser quite a while ago.	Kai: Da. Excelentă idee. De exemplu, mina veche a fost prezentată în teaserul Minei Vechi cu ceva timp în urmă.
00:04:04.220-->00:04:07.090	Reinhard: We showed off the Old Camp in a trailer too.	Reinhard: Am arătat și Tabăra Veche într-un trailer.
00:04:07.120-->00:04:09.030	Dani: Yeah, that's a good starting point.	Dani: Da, acesta e un bun punct de plecare.
00:04:09.050-->00:04:19.040	Kai: So, we are in the Old Camp - in the castle, to be precise - so why not use this to explain the creation process of, for example, the characters and the armors and your role in it?	Kai: Așadar, ne aflăm în Tabăra Veche - în castel, mai exact - așa că de ce să nu ne folosim de acest lucru pentru a explica procesul de creare, de exemplu, a personajelor și armurilor și rolul tău în acest proces?
00:04:19.060-->00:04:38.250	Dani: So, well, everything starts with a complete analysis of what was previously done. Remember that we are doing a very faithful remake. So first we need to understand the decisions made back in the day and if those can work in today's world. So we are trying to modernize what should be modernized, but maintaining the essence of what should be maintained.	Dani: Deci, ei bine, totul începe cu o analiză completă a ceea ce a fost făcut anterior. Amintiți-vă că facem un remake foarte fidel. Deci, mai întâi trebuie să înțelegem deciziile luate în trecut și dacă acestea pot funcționa în lumea de astăzi. Așadar, încercăm să modernizăm ceea ce trebuie modernizat, dar menținând esența a ceea ce trebuie menținut.
00:04:39.000-->00:04:59.260	Dani: I mean, the idea is you will see a shadow and you will recognize it as a shadow. And when we finish that process, an artist starts creating concepts, gathering information, and once the design is approved, we go to the high model phase. Then we bake everything into an in-game model, we texture it. Remember: We are aiming always for very high detail armors.	Dani: Adică, ideea este că veți vedea o umbră și o veți recunoaște ca fiind o umbră. Și când terminăm acest proces, un artist începe să creeze concepte, să adune informații, iar odată ce designul este aprobat, trecem la faza de modelare înaltă. Apoi coacem totul într-un model în joc, îl texturam. Nu uitați: Ne propunem întotdeauna armuri foarte detaliate.
00:04:59.290-->00:05:07.000	Dani: And once the process is done, we integrate the pieces into the engine where we finish polishing and tweaking the final look.	Dani: După ce procesul este finalizat, integrăm piesele în motorul jocului, unde finalizăm prelucrarea și ajustarea aspectului final.
00:05:07.020-->00:05:12.120	Kai: And very successfully indeed. It looks fantastic in the game.	Kai: Și, într-adevăr, cu un rezultat deosebit. Arată fantastic în joc.
00:05:12.140-->00:05:16.080	Reinhard: There we are at the top of the old camp tower.	Reinhard: Iată-ne în vârful turnului Taberei Vechi.
00:05:16.100-->00:05:20.200	Kai: Oh, wow, look at that. What a view.	Kai: O, uau, priviți la asta. Ce priveliște.
00:05:20.220-->00:05:25.070	Dani: Yeah, it's pretty neat. Just ignore the missing pieces of landscape over there, right?	Dani: Da, e destul de frumos. Numai să ignori bucățile lipsă de peisaj de acolo, da?
00:05:25.090-->00:05:27.120	Kai: (laughs) Sure.	Kai: (laughs) Sure.
00:05:27.140-->00:05:33.200	Reinhard: Ehm, how many people are actually working in the art department here at Alkimia? And what sort of roles do we have in here?	Reinhard: Ehm, how many people are actually working in the art department here at Alkimia? And what sort of roles do we have in here?
00:05:33.220-->00:06:00.000	Dani: Yeah, we are a lot of people, man. I mean, more than 30 working as I would define as the in-house team. But at the same time, we are working with different external outsourcing studios. So the number of artists involved in this is pretty high. And about roles here: We have from 2D artist to 3D artist, people who are more into character creation, people into environment, art, tech artists, lighting artists, effects artists, animators, riggers, cinematic artists.	Dani: Yeah, we are a lot of people, man. I mean, more than 30 working as I would define as the in-house team. But at the same time, we are working with different external outsourcing studios. So the number of artists involved in this is pretty high. And about roles here: We have from 2D artist to 3D artist, people who are more into character creation, people into environment, art, tech artists, lighting artists, effects artists, animators, riggers, cinematic artists.
00:06:00.200-->00:06:06.010	Dani: And the last time, believe me, the ones who save my life day after day: We have two amazing art coordinators.	Dani: And the last time, believe me, the ones who save my life day after day: We have two amazing art coordinators.
00:06:06.030-->00:06:17.200	Kai: Yeah, I can imagine getting some of that coordination hassle off of your own personal desk is really helpful. (Dani: Yes.) By the way, from up here you can pretty much see all of the magic barrier.	Kai: Yeah, I can imagine getting some of that coordination hassle off of your own personal desk is really helpful. (Dani: Yes.) By the way, from up here you can pretty much see all of the magic barrier.
00:06:17.220-->00:06:23.210	Dani: Oh, the barrier, man. It's always there. Like... alive, like... breathing. (Kai: Yeah.) Remembering us we are trapped!	Dani: Oh, the barrier, man. It's always there. Like... alive, like... breathing. (Kai: Yeah.) Remembering us we are trapped!
00:06:23.230-->00:06:26.040	Kai: Yeah, that that as well.	Kai: Yeah, that that as well.
00:06:26.060-->00:06:33.190	Reinhard: So, Dani, which specific piece of art for the Gothic 1 Remake are you most proud of - for now?	Reinhard: So, Dani, which specific piece of art for the Gothic 1 Remake are you most proud of - for now?
00:06:33.210-->00:06:47.160	Dani: Well, all of the pieces done have a special place in my heart, you know? But I cannot wait to see people walking through the New Camp. The rice fields... I love it! I love that place. And I have a very good feeling about Xardas' tower. You will see.	Dani: Well, all of the pieces done have a special place in my heart, you know? But I cannot wait to see people walking through the New Camp. The rice fields... I love it! I love that place. And I have a very good feeling about Xardas' tower. You will see.
00:06:47.190-->00:07:01.100	Kai: Yeah, I think I know what you mean. I've been in both of Xardas' towers just recently to place some sound effects and... yeah! Yeah yeah yeah yeah. And which part of the asset creation turned out to be the most challenging so far?	Kai: Yeah, I think I know what you mean. I've been in both of Xardas' towers just recently to place some sound effects and... yeah! Yeah yeah yeah yeah. And which part of the asset creation turned out to be the most challenging so far?
00:07:01.130-->00:07:18.140	Dani: The characters, no doubt. We are trying to push our boundaries here. And we will have thousands of characters and we are trying to make each one of them unique. So imagine the work behind this. The good thing is that we have our sister company, Gate 21, helping us with that fight. So I'm convinced together will rise to victory. (Kai: Yeah.)	Dani: The characters, no doubt. We are trying to push our boundaries here. And we will have thousands of characters and we are trying to make each one of them unique. So imagine the work behind this. The good thing is that we have our sister company, Gate 21, helping us with that fight. So I'm convinced together will rise to victory. (Kai: Yeah.)
00:07:18.180-->00:07:32.110	Reinhard: Thanks. Very interesting. As you all know, the first thing people saw from the remake was the playable teaser. After that, we started from scratch and transitioned over to a new, more dark visual esthetics.	Reinhard: Thanks. Very interesting. As you all know, the first thing people saw from the remake was the playable teaser. After that, we started from scratch and transitioned over to a new, more dark visual esthetics.
00:07:32.130-->00:07:33.200	Dani: Yeah, completely.	Dani: Yeah, completely.
00:07:33.220-->00:07:37.180	Reinhard: What was the process like and how would you describe the new style?	Reinhard: What was the process like and how would you describe the new style?
00:07:37.200-->00:07:57.210	Dani: Yeah, on the PT - well, the Playable Teaser - we were trying to move things into a different direction. I think it has been said, but we wanted to discover the limits and see what people wanted and how far we should go. Was there a remake or was a complete reimagination of the story more in line with a modern and colorful and cheery approach?	Dani: Yeah, on the PT - well, the Playable Teaser - we were trying to move things into a different direction. I think it has been said, but we wanted to discover the limits and see what people wanted and how far we should go. Was there a remake or was a complete reimagination of the story more in line with a modern and colorful and cheery approach?
00:07:57.240-->00:08:22.180	Dani: Or maybe we should go deeper into the darkness, gritty, believable and moody atmosphere of the original has, respecting what made Gothic so special? Well, now the answer should be clear because we asked the community and they showed us the right path. So this time we're going for something darker. Definitely more grounded, realistic, even gritty. I wouldn't say depressive, but definitely not lush or cheer as the PT was.	Dani: Or maybe we should go deeper into the darkness, gritty, believable and moody atmosphere of the original has, respecting what made Gothic so special? Well, now the answer should be clear because we asked the community and they showed us the right path. So this time we're going for something darker. Definitely more grounded, realistic, even gritty. I wouldn't say depressive, but definitely not lush or cheer as the PT was.

Key	English	Romanian
00:03:29.210-->00:03:42.220	Dani: I need to be capable of motivating and steering the amazing team of artists with different specialties we have here at Alkimia. So, I could go hours and hours because, you know, art is my passion, but I think you get the point.	Dani: Trebuie să fiu capabil să motivez și să conduc echipa uimitoare de artiști cu diferite specializări pe care o avem aici la Alkimia. Aș putea continua ore în șir pentru că, știți, arta este pasiunea mea, dar cred că ați înțeles ideea.
00:03:42.250-->00:03:45.020	Kai: Yes, absolutely. Thank you.	Kai: Da, absolut. Mulțumesc.
00:03:45.040-->00:03:53.100	Reinhard: So, this episode might be a bit challenging since we'll have to talk about visual aspects in a podcast. How do we go about this?	Reinhard: Deci, acest episod ar putea fi un pic provocator, deoarece va trebui să vorbim despre aspectele vizuale într-un podcast. Cum abordăm acest subiect?
00:03:53.120-->00:03:59.120	Dani: Well, some visual material is already out there. So we can talk about that and people can look at it while we do.	Dani: Ei bine, unele materiale vizuale există deja. Așa că putem vorbi despre asta, iar oamenii se pot uita la ele în timp ce noi vorbim.
00:03:59.180-->00:04:04.160	Kai: Yeah. Great idea. For example, the Old Mine was shown in the Old Mine teaser quite a while ago.	Kai: Da. Excelentă idee. De exemplu, mina veche a fost prezentată în teaserul Minei Vechi cu ceva timp în urmă.
00:04:04.220-->00:04:07.090	Reinhard: We showed off the Old Camp in a trailer too.	Reinhard: Am arătat și Tabăra Veche într-un trailer.
00:04:07.120-->00:04:09.030	Dani: Yeah, that's a good starting point.	Dani: Da, acesta e un bun punct de plecare.
00:04:09.050-->00:04:19.040	Kai: So, we are in the Old Camp - in the castle, to be precise - so why not use this to explain the creation process of, for example, the characters and the armors and your role in it?	Kai: Așadar, ne aflăm în Tabăra Veche - în castel, mai exact - așa că de ce să nu ne folosim de acest lucru pentru a explica procesul de creare, de exemplu, a personajelor și armurilor și rolul tău în acest proces?
00:04:19.060-->00:04:38.250	Dani: So, well, everything starts with a complete analysis of what was previously done. Remember that we are doing a very faithful remake. So first we need to understand the decisions made back in the day and if those can work in today's world. So we are trying to modernize what should be modernized, but maintaining the essence of what should be maintained.	Dani: Deci, ei bine, totul începe cu o analiză completă a ceea ce a fost făcut anterior. Amintiți-vă că facem un remake foarte fidel. Deci, mai întâi trebuie să înțelegem deciziile luate în trecut și dacă acestea pot funcționa în lumea de astăzi. Așadar, încercăm să modernizăm ceea ce trebuie modernizat, dar menținând esența a ceea ce trebuie menținut.
00:04:39.000-->00:04:59.260	Dani: I mean, the idea is you will see a shadow and you will recognize it as a shadow. And when we finish that process, an artist starts creating concepts, gathering information, and once the design is approved, we go to the high model phase. Then we bake everything into an in-game model, we texture it. Remember: We are aiming always for very high detail armors.	Dani: Adică, ideea este că veți vedea o umbră și o veți recunoaște ca fiind o umbră. Și când terminăm acest proces, un artist începe să creeze concepte, să adune informații, iar odată ce designul este aprobat, trecem la faza de modelare înaltă. Apoi coacem totul într-un model în joc, îl texturam. Nu uitați: Ne propunem întotdeauna armuri foarte detaliate.
00:04:59.290-->00:05:07.000	Dani: And once the process is done, we integrate the pieces into the engine where we finish polishing and tweaking the final look.	Dani: După ce procesul este finalizat, integrăm piesele în motorul jocului, unde finalizăm prelucrarea și ajustarea aspectului final.
00:05:07.020-->00:05:12.120	Kai: And very successfully indeed. It looks fantastic in the game.	Kai: Și, într-adevăr, cu un rezultat deosebit. Arată fantastic în joc.
00:05:12.140-->00:05:16.080	Reinhard: There we are at the top of the old camp tower.	Reinhard: Iată-ne în vârful turnului Taberei Vechi.
00:05:16.100-->00:05:20.200	Kai: Oh, wow, look at that. What a view.	Kai: O, uau, priviți la asta. Ce priveliște.
00:05:20.220-->00:05:25.070	Dani: Yeah, it's pretty neat. Just ignore the missing pieces of landscape over there, right?	Dani: Da, e destul de frumos. Numai să ignori bucățile lipsă de peisaj de acolo, da?
00:05:25.090-->00:05:27.120	Kai: (laughs) Sure.	Kai: (laughs) Sure.
00:05:27.140-->00:05:33.200	Reinhard: Ehm, how many people are actually working in the art department here at Alkimia? And what sort of roles do we have in here?	Reinhard: Ehm, how many people are actually working in the art department here at Alkimia? And what sort of roles do we have in here?
00:05:33.220-->00:06:00.000	Dani: Yeah, we are a lot of people, man. I mean, more than 30 working as I would define as the in-house team. But at the same time, we are working with different external outsourcing studios. So the number of artists involved in this is pretty high. And about roles here: We have from 2D artist to 3D artist, people who are more into character creation, people into environment, art, tech artists, lighting artists, effects artists, animators, riggers, cinematic artists.	Dani: Yeah, we are a lot of people, man. I mean, more than 30 working as I would define as the in-house team. But at the same time, we are working with different external outsourcing studios. So the number of artists involved in this is pretty high. And about roles here: We have from 2D artist to 3D artist, people who are more into character creation, people into environment, art, tech artists, lighting artists, effects artists, animators, riggers, cinematic artists.
00:06:00.200-->00:06:06.010	Dani: And the last time, believe me, the ones who save my life day after day: We have two amazing art coordinators.	Dani: And the last time, believe me, the ones who save my life day after day: We have two amazing art coordinators.
00:06:06.030-->00:06:17.200	Kai: Yeah, I can imagine getting some of that coordination hassle off of your own personal desk is really helpful. (Dani: Yes.) By the way, from up here you can pretty much see all of the magic barrier.	Kai: Yeah, I can imagine getting some of that coordination hassle off of your own personal desk is really helpful. (Dani: Yes.) By the way, from up here you can pretty much see all of the magic barrier.
00:06:17.220-->00:06:23.210	Dani: Oh, the barrier, man. It's always there. Like... alive, like... breathing. (Kai: Yeah.) Remembering us we are trapped!	Dani: Oh, the barrier, man. It's always there. Like... alive, like... breathing. (Kai: Yeah.) Remembering us we are trapped!
00:06:23.230-->00:06:26.040	Kai: Yeah, that that as well.	Kai: Yeah, that that as well.
00:06:26.060-->00:06:33.190	Reinhard: So, Dani, which specific piece of art for the Gothic 1 Remake are you most proud of - for now?	Reinhard: So, Dani, which specific piece of art for the Gothic 1 Remake are you most proud of - for now?
00:06:33.210-->00:06:47.160	Dani: Well, all of the pieces done have a special place in my heart, you know? But I cannot wait to see people walking through the New Camp. The rice fields... I love it! I love that place. And I have a very good feeling about Xardas' tower. You will see.	Dani: Well, all of the pieces done have a special place in my heart, you know? But I cannot wait to see people walking through the New Camp. The rice fields... I love it! I love that place. And I have a very good feeling about Xardas' tower. You will see.
00:06:47.190-->00:07:01.100	Kai: Yeah, I think I know what you mean. I've been in both of Xardas' towers just recently to place some sound effects and... yeah! Yeah yeah yeah yeah. And which part of the asset creation turned out to be the most challenging so far?	Kai: Yeah, I think I know what you mean. I've been in both of Xardas' towers just recently to place some sound effects and... yeah! Yeah yeah yeah yeah. And which part of the asset creation turned out to be the most challenging so far?
00:07:01.130-->00:07:18.140	Dani: The characters, no doubt. We are trying to push our boundaries here. And we will have thousands of characters and we are trying to make each one of them unique. So imagine the work behind this. The good thing is that we have our sister company, Gate 21, helping us with that fight. So I'm convinced together will rise to victory. (Kai: Yeah.)	Dani: The characters, no doubt. We are trying to push our boundaries here. And we will have thousands of characters and we are trying to make each one of them unique. So imagine the work behind this. The good thing is that we have our sister company, Gate 21, helping us with that fight. So I'm convinced together will rise to victory. (Kai: Yeah.)
00:07:18.180-->00:07:32.110	Reinhard: Thanks. Very interesting. As you all know, the first thing people saw from the remake was the playable teaser. After that, we started from scratch and transitioned over to a new, more dark visual esthetics.	Reinhard: Thanks. Very interesting. As you all know, the first thing people saw from the remake was the playable teaser. After that, we started from scratch and transitioned over to a new, more dark visual esthetics.
00:07:32.130-->00:07:33.200	Dani: Yeah, completely.	Dani: Yeah, completely.
00:07:33.220-->00:07:37.180	Reinhard: What was the process like and how would you describe the new style?	Reinhard: What was the process like and how would you describe the new style?
00:07:37.200-->00:07:57.210	Dani: Yeah, on the PT - well, the Playable Teaser - we were trying to move things into a different direction. I think it has been said, but we wanted to discover the limits and see what people wanted and how far we should go. Was there a remake or was a complete reimagination of the story more in line with a modern and colorful and cheery approach?	Dani: Yeah, on the PT - well, the Playable Teaser - we were trying to move things into a different direction. I think it has been said, but we wanted to discover the limits and see what people wanted and how far we should go. Was there a remake or was a complete reimagination of the story more in line with a modern and colorful and cheery approach?

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